Starmaster's Guide...

Muzzle of Bees contributor!

noreply@blogger.com (jonstone) — Mon, 26 Oct 2009 18:36:00 +0000

So for the none of you who read this blog that I don't talk to on a regular basis (and regarding my last post), I have recently been given a gig writing for the cool, regional music blog Muzzle Of Bees. Since most of my posts here were music related, I will likely not be posting new content here as much anymore--though I will post copies of the stuff that I write up for the blog.

I'm excited about this--it doesn't really pay anything, but I do get free access to shows down here that I want to review.

You can read my two prior contributions here:

top ten moments at the Chicago Wilco Show

Blitzen Trapper Review

American Music in British Voices: Rethinking the Beatles as the World's First International Cover Band

noreply@blogger.com (jonstone) — Mon, 26 Oct 2009 16:32:00 +0000

Paul McCartney often tells this great story about the first time that he and John Lennon met. Apparently, Paul had gone to see John’s band play and afterward they met up and Paul impressed John not only by his ability to play Eddie Cochran’s "Twenty Flight Rock" left-handed on a right-handed guitar, but also because he knew every word. Here it is in his own words from the recent PBS special "Great Performances: Chaos and Creation at Abbey Road" (which you should take some time and watch--it's phenomenal):

I love thinking about this historical moment. Paul sees the leader of the band he wants to be a part of and takes a chance. John's a little drunk, but is floored by Paul's natural talent. Bang: the genesis of a friendship that would change the world. Then there's also the fact that the moment centers around a great song—a song written in the newly christened, genre-melding style called rock & roll.

I’ve always been a late-period Beatles fan. When I was 14 my friends and I would listen to the White Album and bask in its multi-genre genius. We learned White Album and Sgt. Pepper tunes on the guitar and would play them at parties to audiences who’d have rather heard Depeche Mode or The Cure (so we'd play those too). It was the late albums (really, everything Rubber Soul and onward) that I have gone back to again and again over the years. I don't think I'm alone.

So despite my near, life-long fandom, it wasn’t until I got the remastered CDs last month that I had even heard some of songs off the early records. What I found, of course, were the hits that launched The Bealtes into fame, but also--rather unexpectedly--I found covers versions of now-classic, then relatively contemporary American rock songs. In fact, on the first three Beatles records there are a total of 18 songs (out of 42) by other artists.

It occurred to me that it might be fun to look into those first few records and look up the songs the Beatles covered and compare versions to get a feeling for the kind of stuff they were listening in those early Beatles and pre-Bealtes days. It shouldn't be surprising to hear that the original versions* are, dare I say, far more rich than the Beatles appropriations. I imagine that to Paul & John those songs sounded like the Beatles would eventually sound to us.

Here are a few of my (more well-known) favorites:

Roll Over Beethoven

The Beatles (go George!):

Chuck Berry:

Money (That's What I Want)

The Beatles:

(I love the Paul/John behavioral dichotomy going on in this live
clip--so classic.)

Barrett Strong:

Please Mr. Postman

The Beatles

The Marvelettes

Long Tall Sally

The Beatles

Little Richard

The elephant in the room here is that all of the appropriated songs I have chosen to present are by African American artists. I love that the Beatles covered these tunes, but it seem strange to me--tragic even--that it took the distinctly foreign (and distinctly white) voices of the Beatles before the American public at-large could begin to appreciate these songs. There is a whole other essay/post here, but this topic might make for a nice jumping-off point should you care to comment.

*Figuring out what the "original version" of any of these songs can be daunting as they were often written by professional song writers and then recorded by a variety of artists.

Thanks Mom.

noreply@blogger.com (jonstone) — Wed, 07 Oct 2009 00:49:00 +0000

Because of you, I LOVE this song by Christopher Cross (and love, even more, that Michael McDonald shows up).

You know you do too. I've gotta get this on LP--and soon.

Sufjan in Champaign

noreply@blogger.com (jonstone) — Mon, 28 Sep 2009 15:04:00 +0000

Sufjan Stevens @ the Highdive from Justine B. on Vimeo.

It was for freedom from myself and from the land...

New semester, new anxieties

noreply@blogger.com (jonstone) — Sat, 26 Sep 2009 19:34:00 +0000

Ah, Starmaster and your guide. How I neglect thee.

It's been a busy month since I started back up with school. Too much of that is too boring to mention here other than to say, I'm back--pendulum-wise--to feeling overwhelmed again. Starting my third year, it seems as though I should know more, be more engaged, doing more scholarly things: but I usually feel just as green as ever.

I'm making steps, however, to fight to become more mature in the field. I've started a new blog called Sonic Rhetorics. It will be an semi-academic space set up to get me thinking more seriously about my interests in the field. I've already done what I can to make it public with academics who have similar interests as me (via twitter)--and doing so requires that the writing and ideas expressed there need to adhere to a certain level of quality. It's a risky move, though. Putting myself out there outside of the carefully structured and gate-kept avenues of the "typical" academic avenues of conference talks and published journal articles can, in some respects, be akin to letting the whole professional community look have a look in your messy room. So, it takes me like three days to compose a blog-post (not the best use of my time, considering everything else required I should be doing).

But, I think it's a good exercise. My current plan is to go less public (no more public announcements via twitter #), but to still try to write like I AM being watched carefully. Also, it might be a good idea to start thinking about which conferences I'd like to submit to this year and also which journals and presses I should start reading more intently.

In other news, it's been an amazing end-of-the-summer/beginning of Fall music season. Still on the bill: Tonight I get to see Sufjan Stevens after emailing the venue every week since the tickets sold out in 5 minutes the night I was in Logan at our Family Reunion. In October: Avett Brothers, Blitzen Trapper, and WILCO!

when a favorite band covers your other favorite bands

noreply@blogger.com (jonstone) — Wed, 26 Aug 2009 00:25:00 +0000

School's back on--I'm taking Greek. Yes, Greek. It's intense.

In other news, the Punch Brothers are still amazing.

I just found this video of them playing Radiohead's "Packt Like Sardines in a Crushed Tin Box"--it blows me away how they recreate the very digital/electronic noise of Radiohead's awesome song WITH ACOUSTIC INSTRUMENTS.

So cool.

But that's not all--this morning I heard them play another cover of the Wilco song "Poor Places"

This one has kind of shoddy audio--there is an unseen noise off camera, but it still shows the versatility of this amazing group of musicians.

If you'd like some points of reference, here's Wilco doing their song and here's a truly amazing fan-made video of Radiohead's:

Still just totally loving Sarah Jarosz

noreply@blogger.com (jonstone) — Tue, 28 Jul 2009 16:01:00 +0000

Chris Thile on Bach

noreply@blogger.com (jonstone) — Fri, 17 Jul 2009 18:41:00 +0000

if you like a great vocalist with your bluegrass...

noreply@blogger.com (jonstone) — Fri, 03 Jul 2009 02:25:00 +0000

please, please check out Sarah Jarosz...she plays guitar, mandolin (including the baritone she's playing in this clip) and banjo.

Oh, and she's only 18.

for when I used to wear a single sparkly garden glove...

noreply@blogger.com (jonstone) — Thu, 25 Jun 2009 23:54:00 +0000

Vimeo to YouTube for the fam

noreply@blogger.com (jonstone) — Thu, 25 Jun 2009 04:09:00 +0000

I've heard some reports of Vimeo being slow and yuck for some folks on some older machines (read "my family on their G4 "lamp" iMacs).

For their viewing pleasure, ma, pa, michelle (any other anti-Vimeo peeps out there):

come on over to Only Anything YouTube land Make sure to watch all four videos.

been singing this since the other day

noreply@blogger.com (jonstone) — Wed, 24 Jun 2009 00:11:00 +0000

favorite.

2009 = biggest live music year of my life

noreply@blogger.com (jonstone) — Mon, 22 Jun 2009 04:25:00 +0000

Newport Folk in August (in Rhode Island!): Pete Seeger, The Decemberists, Fleet Foxes, Gillian Welch, Avett Brothers, Billy Bragg, Mavis Staples, Tom Morello, Ramblin Jack Elliott, Ben Kweller, the Low Anthem, Brett Dennen, Tift Merritt, Tao Rodriguez Seeger, Langhorne Slim

Ellnora Guitar Festival (Formerly "Wall-to-Wall") in September:

Free(!) performances
Jerry Douglas um, yeah, free.
Dan Zanes (this is the wacky Disney channel guy. We'll likely pull Seth out of school to see him)
Brazil Guitar Duo
Alex de Grassi
Natalia Zuckerman (a great slide player)
Erin Mckeown
Jake Hertzog (jazz guitarist)
Richard Julian (this dude sits at the corner of about 4 genres)
Jim Campilongo (two words: TeleCaster. :) this guy deserves two links<--this one is a fender commercial, but it's the best 8 minute amp commercial I've ever watched.)

I'll likely be going to a few of the other less-free shows too:

Bill Frisell (playing here with Jerry D himself)
Keb' Mo' (blues!)
The National (baritones away)

And if that weren't enough

Pygmalion Music Festival is one short week after Ellnora. I'll spare you the billion links. But it will be a third Iron & Wine show in 6 months for me, as well as a chance to see my favorite and much blogged about My Brightest Diamond. Joe Pug is also a rising interest.

I'm having a spoiled music year. Let's just pretend it's my thirtieth birthday year and not my 31st, then it might seem more deserved. :) Happy listening!

Wabash Cannonball

noreply@blogger.com (jonstone) — Tue, 16 Jun 2009 15:22:00 +0000

So, I've got a little video blogging going on over at www.onlyanything.com If you've been there in the last few hours you'll have seen my attempts at playing a few tunes on the Dobro--one of which is this song called "Salty Dog" and the other is called "Wabash Cannonball".

Both tune names crack me the heck up--I'm having a really good time discovering this whole genre of music that I never have paid much attention to in the past.

Anyway, the thing that attracts me to this kind of music is the playing--straight up. These dudes can swing. For example, I did a quick YouTube search for the song "Wabash Cannonball" and found this gem:

I'd never heard of Jerry Reed before now, but am totally and immediately a fan. I think you are too. I wish he could have finished Charles's "Hallelujah"! Once again, thank you, YouTube.

And, just in case there's any question:

I love a good cover

noreply@blogger.com (jonstone) — Wed, 20 May 2009 16:12:00 +0000

Here's an old tune called "Love Vigilantes" by an old favorite band of mine, New Order:

Here's that same tune covered by Sam Beam of Iron & Wine. He played this last week at the solo show I saw with some friends up in Chicago. It was a great night, and this was one of the best songs of the set.

(update: apparently, they just played the tune on Fallon's late night show--I'll put it up here too)

Vintage Vinyl

noreply@blogger.com (jonstone) — Tue, 19 May 2009 16:53:00 +0000

I got a turntable for my birthday and have slowly been building up a small record collection.

Last Saturday, our local public radio station had a pledge drive where local listeners could donate their old records, cds, movies and electronic equipment. Then, folks like me could come and buy it up at $1-$2 a pop. I spent about $35. Here's what I got:

Soundtracks:
Fiddler on the Roof Original Motion Picture Soundtrack
Mary Poppins Original Cast Soundtrack
Boris Karloff reads Peter and the Wolf

Old-time Country:
Country's Greatest Hits
60 Years of Country Music

(Believe it or not, these are two I am most interested in and most excited about--We're not talking contemporary, corporate Country here, folks. We're talking roots music and I'm eating it up. I'm really excited about exploring roots stuff and part of that search starts here, I figure. It goes back to the early early stuff: Jimmie Rodgers, Carter Family, Bill Monroe and his Blue Grass Boys, woo!)

60s & 70s
The Best of Buffy Sainte Marie (this is a wild card, actually--I've never heard of her, but she had a resonator guitar on the cover of the album and I thought, "eh--it's only a buck!"
Crosby, Stills, Nash & Young: 4 Way Street
John Denver- Back Home Again (with Grandma's Feather Bed!)
History of Eric Clapton
Beach Boys- Endless Summer (this is the only one I kind of regret--I should have got a real Beach Boys album, but I don't think they had any)

Hits collections from:
Gladys Knight & the Pips
Ray Charles
The Temptations

Elton John- Captain Fantastic and the Brown Dirt Cowboy (this record has my favorite EJ song on it, "Someone Saved My Life Tonight" and really rad packaging. I have seen it in record stores for $15, I got it for $1)

James Taylor:
Flag
Sweet Baby James
In the Pocket
(I have 5 JT records now)

Stevie Wonder: Journey Through the Secret Life of Plants (this one I'd never heard of, and was unopened. It's a soundtrack, I guess.)

80s!
Micheal Jackson- Thriller (Seth really loves the tune "Beat It"--he's gonna love Thriller)
Genesis- Invisible Touch (Probably the first record I ever listened to in it's entirety, 7 years old at Justin's house)
Tracy Chapman- Eponymous ('cause she's awesome)

Pretty eclectic little collection, eh? I'm having fun and all of this great music cost about the equivalent of two or three new CDs.

I also bought a pair of speakers for $5. Trying to think of a rig where i can set them up in the kitchen or basement and run them off my receiver's B channel.

Fun stuff.

Final for Writing For the Web: Sonic Rhetorics

noreply@blogger.com (jonstone) — Mon, 18 May 2009 20:50:00 +0000

I haven't posted anything for quite some time--

However, today I turned in my final project of the semester and will let a little vacation seep in until I begin teaching again early next month.

Here is a link to my final site created for my Writing for the Web course. I'm very excited about it, even if it is not quite completely functional. It will eventually work like a blog where I can post stuff (or links to stuff, rather) that I think functions as what I am calling Sonic Rhetorics--basically, the ways in which sound as music, rhythm, vocalization, noise, etc. operates as influencing discourse. So, if all goes as planned (and with a little help from my friends), this little beta-version of the site will soon be a full-fledged academic blog.

I'm hoping that it will help me start to find a focus for my future work on a dissertation (which I am thinking more and more will explore music/sound as rhetoric) and also, perhaps, put me on the map as someone who does that kind of work.

I'll let you know when the site is ready to function as a blog and you can get it syndicated with an RSS feed. I am playing with the idea of starting a sonicrhetorics twitter account from which I will also send out micro blogs on the subjects I highlight on the main site.

It's really fun and satisfying to find an academic focal point. Here's to hoping this one sticks!

A few videos from a recent class project

noreply@blogger.com (jonstone) — Tue, 14 Apr 2009 02:06:00 +0000

Here's the actual project:

~Your Desktop is a Playground~ from starmaster on Vimeo.

Here's the dance track! (it might be better)

Dance Track from starmaster on Vimeo.

Response to Brandon, re: twitter.

noreply@blogger.com (jonstone) — Mon, 30 Mar 2009 19:02:00 +0000

The new face of Starmaster's Guide

noreply@blogger.com (jonstone) — Fri, 20 Mar 2009 16:08:00 +0000

Well, it's not that radical, but I did change the banner and some of the other settings. If you get this blog as a part of your RSS feed, click over to the main event to check it out. I'm still working on it a bit but I like the new banner pic. Those people in line? They are you! In the future, I look forward to a complete redesign using some of the new web authoring skills I've been learning this semester.

San Francisco in 1500 words or less

noreply@blogger.com (jonstone) — Fri, 20 Mar 2009 15:47:00 +0000

I write this near the end of my second full day in San Francisco (though I am posting it over a week later). I am presenting a paper on Saturday at the annual Conference for Communication and Composition … (CCCC). What a great city to have a conference.

I am staying at a surprisingly nice (and clean!) hostel (my first patronage of this type of lodging) at the tip of the Tenderloin district (not quite in the scary part). The conference is taking place at the Hilton, a mere five minute walk away.

I’ve had a full couple of days, and I thought I would write quickly and recount my experiences thus far.

The first night we arrived, a friend and fellow presenter and I took the BART down to my favorite place in the whole city to eat: Taquerias El Farolito. Best burritos ever (eat your heart out Chipotle). That first night we walked the eight blocks (longer than it sounds, but not too long) from 16th to 24th. The meal was fantastic—I laughed as my usually vegan friend consumed a whole plate of Carne Asada. We walked off our dinner—back down to the 16th BART station and I collapsed, exhausted at 11pm local time (1am to me!) on the top bunk of the room I share with my three globally diverse roommates.

On Wednesday, I arrived at the conference and got my registration taken care of. The day was reserved for paid workshops and since I didn’t pay for any of them (my registration cost $40 and most of the 3 hour workshops were $20. Psh!), I set out for a day in the city.

I took the Market Street MUNI bus down into the Haight and walked down the near empty streets toward Golden Gate park and the UCSF medical school—one of my main old stomping grounds. All of the shops on Haight were closed, which was fine with me. I hiked up the hill to the med school and took some pictures of the panoramic view of the city from the large outlook patio (one of my favorite places ever!).

I really wanted to do some things that I had never done before—so I hopped a few busses and found myself at the southern end of the Golden Gate Bridge. I wanted to walk on the bridge and look over the edge. I’ve driven over it numerous times, but could never really enjoy it as a structure—read its historical plaques and actually lay my hands on the cold, red steel. And in the truest sense of the word, it was awesome. I walked about a third of the way out to the first main pillar where there is a lookout. I couldn’t have asked for a more beautiful day in the city. In fact, I can’t remember a more beautiful day. It was warm, but not hot. The breeze was constant, but soft. And the view . . . ! Not only was there a perfect view of the City and Alcatraz and Angel islands, but down in the water, at the base of the bridge, seals and dolphins were surfacing and submerging—there must have been at least 10 of each. It was so cool.

From there, I took a short bus ride down to the famous Baker Beach—another place that I can’t believe I’ve never been. I sat on the beach against a log, took off my shoes (and by this time, I’d walked quite a ways and my feet beginning to ache), and watched and, maybe more significantly, I listened. We don’t hear the sound of waves breaking that often in CU, and to me, it was music. I walked along the waterline and often couldn’t get out of the way in time and found myself wet up to the knees in Pacific Ocean. I collected small stones—pebbles really—that had been rubbed smooth and shiny by the constant lapping against the sand. I’ll give them to my little Stones when I get home. It was, by far, my favorite hour spent since arriving. It’s going to be tough to beat, and I might well return before I leave.

From there, I went back into the Haight and spent some time in Amoeba records (which, after the GG and Baker Beach—and my hungry stomach!—wasn’t as exciting as I had anticipated). I bought a few lps and dvds and set out again to find lunch which I found at a small sit-down Thai restaurant where I got my standard Pad Thai. It was great—maybe the best Pad Thai I’ve ever had.

By then, I was exhausted, and my backpack was so full, and my back so achy that I knew it was time to head back to the hostel. Which I did—right after I bought a cool tie at the famous Aardvark thrift store at Haight and Ashbury.

After a few hours of recovery, my good friend Mike Harding and his wife drove up from Palo Alto and took me out to what has got to be the best Chinese restaurant in Chinatown: House of Nanking . Mike speaks Mandarin and ordered requesting the chef’s choice of a shrimp, chicken, and beef dish. Needless to say the food and company were both excellent. Right up from the restaurant is the famous corner near Kearney and Broadway—North Beach—where the famous City Lights Bookstore where Allen Ginsberg, Jack Kerouac and friends (including Bob Dylan) caused all that “beat” trouble in the 60s. After saying goodbye to Mike, I walked back up to the bookstore and poked around. I remember writing a paper my Junior year in high school about the beat poets and the hippie culture that followed. It was weird to be there, mostly because it has lost all of that real social relevance and become, quite frankly, just another tourist attraction (with, I’ll allow, a really cool “poetry reading room” full of great poetry books).

So, day two was completely full. Most of what I did that day was new stuff that I had never done during my time in San Francisco, which was exactly as planned. It was a day that I will not soon forget and one that I will try to repeat—likely without complete success—in subsequent visits.

I have a ton of pictures from the trip posted here.

As well as a bunch of pictures I took from my cell phone, which I collect here.

Oh, and I was going to write another post talking about the rest of the trip... but Wednesday was really the main day of excitement. The rest of the week, I attended the conference, presented my paper, had some good meals and on Saturday enjoyed a more typical (cold and hazy) day taking the bus and wandering around the city--saying goodbye, if you will. The pictures tell the story, check 'em out!

Home from SF--Blackbird

noreply@blogger.com (jonstone) — Thu, 19 Mar 2009 03:43:00 +0000

I've been home since Sunday, and have several posts with pictures coming up...

But I saw this tonight and couldn't help but share:

on my way

noreply@blogger.com (jonstone) — Fri, 06 Mar 2009 20:43:00 +0000

Getting ready to head out on Tuesday to San Francisco for my first major academic conference. It should be a really great experience and that it is in San Francisco is even more exciting.

I haven't had a lot of time to blog lately, but I have been doing plenty of micro-blogging. If you haven't already, you're welcome to follow the rss feed from my twitter account. I post several times a day--often with links to pictures--and probably more often while I am in my favorite of cities.

Here is the link to my profile on Twitter (In case you haven't noticed, Twitter is currently exploding. It might be time for you to start your own!).

Or, you can follow my tweet-stream via rss.

How come I end up where I started?

noreply@blogger.com (jonstone) — Mon, 09 Feb 2009 16:11:00 +0000

Tweedy at Foellinger

noreply@blogger.com (jonstone) — Mon, 02 Feb 2009 00:48:00 +0000

Some friends and I went to see Jeff Tweedy last night at our campus's beautiful Foellinger auditorium. He was nothing short of Amazing. I've never seen anyone handle a crowd with such finesse and humor. I guess it is tradition for fans to yell out requests and the banter that starts up could be really uncomfortable and distracting--but Tweedy handles it masterfully by both making fun of his requesters and actually playing many of the requests that are given.

I knew around 60% of the songs he did--the other material either being new or really old (from the legendary Uncle Tupelo days). The Wilco songs he played were perfect deconstructions and I don't know what it is about Radiohead covers, but they make for amazing show closers. Tweedy played their Fake Plastic Trees in his first encore.

It was SUCH a good show. Just what I needed after a miserable, no-sleep, night snow camping with the scouts.

On a semi-related note, I'm seriously considering doing this during the month of February. I'll keep you updated.

Here's one more song (Spiders [Kidsmoke])from last night's show. It actually occurs before Fake Plastic Trees was played and gives you an idea of his interaction with the crowd (we were so in the palm of his hand) as well as shows the moment when FPT was requested.

\

Oh, I can't resist. Here's one more. Did I mention Tweedy can play that guitar?