Friday, December 31, 2010

the year in concerts 2010...

It's been a lovely year. A tough year. An amazing year. A transitionary year. In 2010, my work as a grad student has moved suddenly from go-to-class/write-a-paper to read-100+books/take-an-oral-exam/write-a-dissertation. It's overwhelming and that stress has taken a bit of a toll this year. You see, I've been going to class for over 20 years now -- I've gotten really good at it. This whole "have a career in academia" thing is the next step and it's a bit of a leap. I'm up for it, though.

Luckily, this year I've had concerts. Dozens of them. I have seen more live music this year than any previous year or my life COMBINED. It has been an incredible privilege and mostly due to my association with Muzzle of Bees for with some help from the freelance gig I have writing for American Songwriter. Here's the list. I've put asterisks next to my favorites. Incredible.

2010 concerts

Bela Fleck - 2/14
Retribution Gospel Choir - 2/18
Joe Pug - 2/25
St. Vincent* - 3/30
Atoms For Peace (Thom Yorke)* - 4/10
Antlers/Phantogram 4/17
Delta Spirit/Nathaniel Rateliff/Ra Ra Riot (Daytrotter Barnstormer III) - 4/30
Santah - 5/6
Dawes/Edward Sharpe & the Magnetic Zeros - 6/8

Bonnaroo - 6/10-6/13
Sarah Jarosz
Dodos
Blitzen Trapper
The xx
Dr. Dog
Punch Brothers* (twice)
Jill Andrews
Hot Rize
She and Him
The National
Steve Martin & the Steep Canyon Rangers
Dawes* (twice)
The Black Keys
The Avett Brothers*
Brandi Carlile
Dave Rawlings Machine*
Mumford & Sons*
John Prine
Stevie Wonder*
Calexico
Medeski Martin & Wood
Regina Spektor
John Fogerty
Kris Kristofferson
They Might Be Giants

Hum -7/10
Frontier Ruckus/Cary Ann Hearst - 7/15

Pitchfork Fest - 7/16-7/18
Sharon Van Etten
Tallest Man on Earth*
Broken Social Scene
Titus Andronicus
Bear in Heaven
Best Coast
Local Natives
St. Vincent
Pavement
Soundgarden - 8/5

Lollapalooza - 8/6-8/8
Mavis Staples
Drive-By Truckers
The New Pornographers
Dirty Projectors*
Jamie Lidell*
The Strokes
Rogue Wave
Stars
Warpaint
Dawes*
Grizzly Bear
Deer Tick
Spoon
The Band of Heathens
Mumford & Sons
Erykah Badu
The National
Arcade Fire

The National/Antlers* - 8/7
Trampled By Turtles - 8/26

Pygmalion Fest 9/22-9/25
Janelle Monae
Built to Spill
Duke of Uke
Those Darlins
Colour Revolt
Unwed Sailor
OWEN
+/-
Ted Leo & the Pharmacists
Roky Erickson w/ Okkervil River
The Viper and his Famous Orchestra*
Cap'n Jazz
Caribou

Jill Andrews - 12/10*

Sunday, November 14, 2010

Tumblr. Because I now blog everywhere but here.

Busy busy time of the semester. I'm still doing a little writing/web gathering on the side. If you're not already, you should check out my posts over on a Tumblr blog where I write about music related stuff. The site is mostly meant to capture and share interesting musical thoughts I have, which (I suppose) could easily be shared here as well ... but Tumblr is kind of cool and I needed an excuse to check it out, so there you go.

The coolest thing I'm doing there right now is a series I'm calling the "Sounds Similar Series" where I point to two or more songs that seem to share a musical motif. It's something I've thought about for years, and I'm finally getting around to documenting the tunes when I come across them.

Here's the link to my Tumblr site: Our Voices Lift So Easily

Friday, September 03, 2010

writing explosion

So, while my blogging here has leveled off considerably, I continue to do a lot of writing in other places.

I've mentioned www.muzzleofbees.com which continues to be the place my writing appears that I am most proud of and excited about. I spent a day with Ryan Matteson the founder and main editor of the blog over the summer at the Pitchfork festival in Chicago, and am so impressed by him. You won't meet a more authentic guy. He has a genuine interest in music and musicians that he's been able to translate into a successful blog, but more than that, he's on track to be a successful "new-school" contributor to the music business in general. He seems to understand that success is measured not by one's ability to quickly amass wealth, but rather it is a mixture of strong, honest friendships/business relationships and an anti-cynic philosophy. Cynicism prevails in music criticism especially, but Ryan's blog is mostly about promotion and spotlighting and never a space for cutting down. And I say "mostly" because the only cynicism that I read on muzzleofbees is usually in an article by me. I still have a lot to learn and am grateful for serendipitous relationships with people like Ryan who, just by example, push me out of the cynic's self-conscious cycle.

I have also recently been doing a bit of freelance writing for the magazine American Songwriter -- at least, I've been writing for their website. It's my first freelance experience. So far it's been just three pieces: A review of the Pitchfork fest, a review of a Soundgarden concert, and a record review of the new Ray Lamontagne record. I was particularly proud of the first I'm realizing that it focuses a bit on cynicism as well (a state of mind frequently on my mind, it seems). I spent a long time writing that article and thinking carefully about my argument there and I think it is a decent piece of writing. I probably spent 10 hours writing it and got paid exactly one dollar an hour for my work, their going rate ($10 per piece). The Ray Lamontagne review has also been fun to watch because of all the comments it got. People, on the whole, didn't like my review and one goes as far as to say "this isn't just a bad review, it's a bad REVIEWER!" That made me frown first, but it quickly turned to a smile when I realized that I might have had the very same response if any of my favorite artists' records were negatively reviewed. I actually felt a bit proud that my review had prompted such a large response.

The best thing by far that these writing gigs provide, despite the low/no paychecks is access to amazing live and recorded music. That Soundgarden show, for example, was sold out. They were to play for an audience in the tens of thousands a few nights later at Lollapalooza and I saw them in a small theatre and was relatively close to the stage. Also, I've been able to see a few of my favorite bands not just once but numerous times over the summer. I saw Dawes, my favorite new band, FOUR times this summer and another favorite The National three times. This is a near unspeakable privilege for a kid who has always loved live music but has never had deep enough pockets to experience it on even a fraction of this scale. So, I'm feeling blessed.

Additionally, I've started to do some "blogging" (if that's what you can call it) over on a Tumblr page. The focus here is mostly MoB's runnoff -- ideas that I have for music writing that don't quite seem to fit that particular writing space. I've stated there that I'm interested, particularly, in exploring the craft of songwriting. That is a big net, though, so I have some liberty to deviate a bit. The last post there about songs that sound similar should be a fun one to explore. I love thinking about the ways that music is constantly overlapping as influences, almost like implicit or subtextual references to other music and styles. So that should be fun.

Finally, I'm going to start trying to use this space --a blog I've titled "Sonic Rhetorics" -- to start collecting ideas and musings about my academic writing. I created it a year or so ago, but have never used it. I'll start using it this semester for a course I am taking, and we'll see what happens from there. Right now the best thing about it is the title banner.

This leads to a bit of an admission of fear: for all the writing that I have been doing this year, only a small percent of it has been academic writing. This worries me a bit. I know that in order to be successful in my career as an academic, I have to start producing and publishing my work. This is a bit daunting for me, but I have begun to make moves to help these two kinds of writing -- the kind that I want/like to do and the kind that I have to do -- and merge them. I am fairly certain that my dissertation will be a historical look at American music (focused in around the turn of the last century). I want to argue for music as rhetoric -- as persuasive discourse -- that is deeply embedded in culture, ideology and national/regional (and personal) identity. It is my hope that my writing in the last year will prime the pump on my more academic stuff. We'll see.

So that's my update for now. I still see blog as an important home base for me and so will continue to use it from time to time as such.

Sunday, March 28, 2010

Muzzle of Bees posts

Howdy folks. I know, I know. An actual update? Incredible ! Absurd! Unthinkable! Well, really its kind of a half-post. Not totally new content, just a collection of the posts I have made over the last five months as a contributor to the blog Muzzle of Bees.

It was a lucky connection to have made--basically I responded to an inquiry on twitter for a new contributor and my being in Champaign-Urbana was a good fit for the regional audience of the blog (Madison, Milwaukee, Chicago, and now CU). The perks are nice: review passes to concerts, occasional free music to review and keep up with, and--perhaps best of all--a new network of friends and connections in the music/blog-criticism world. It's been fun. Here's a list of my posts with links (from most recent to oldest):


If you just read one, check out the one titled "Golden" Moments. I think it is fairly representative of the best part of having a blog that lots of people actually read.

Saturday, January 16, 2010

goal '10

Learn 200. First 50(-odd)

Friday, January 01, 2010

January of 10

The blog goes unupdated for an unprecedented number of months. But has our hero been idle? Well, yes, if we're talking about the last few weeks of couch lounging in Tucson that I have been very meticulously engaged in. But on the other side of the decade, I was pushing busyness to a new level and blogging only in places where people actually read my words (and no offense to those who are reading these words, you are not forgotten, but are very likely my blood relations).

Having just completed the first decade of my adult life (I was, what, 21 in 2000? 22?) I must say that it feels like 10 years or something (now that I know what 10 years really feels like). I've completed degrees, gotten married, had kids, played in a few bands, moved several times--once across the darn country.

I'd say it was a pretty eventful decade.

Here's something strange. By the time another 10 years go by, I'll have (nearly) three teenagers, likely much less hair, and hopefully, a real job. You know, because 42 seems like a good age to start that up.

This year I've done some schooling (into the third year of grad school), some traveling (San Francisco, New Hampshire/Massachusetts/Rhode Island, Utah, and of course, our Christmas in AZ has been lovely), some teaching, and some writing.

It's also been an incredible year for music exploration. My music-blogging gig over at Muzzle of Bees has encouraged that, to be sure, but even before I started writing for the blog late in the year, it was an unprecedented music year for me. One in which I saw more live shows than any other year and possibly more than I have ever seen in ANY year when you combine them all together. I've plunged into the catalogs of countless old greats, from McCartney to Dylan and from Zeppelin to the Carter Family. I've learned a ton about the history of music in this country, especially the "blue" genres (blues and bluegrass). And also have a much larger collection of new artists that I am interested in than I have in quite some time.

And while my interest in music feels like a hobby, I have a feeling that I will look back on this year as a kind of touchstone towards a long future of study and appreciation for American music, culture, and history. In fact, this year I realized that this deep interest in music is exactly what scholars hope to stumble upon so that their research actually becomes something that they can be passionate about. Therefore, even as I think about my professional future, I now see music and its influence as extremely important (if not paramount) in my future scholarly work in rhetoric. This makes me very excited.

I'd say it has been a pretty amazing decade. I'm amazed at where we've ended up-- especially considering that we started this decade as two and have ended up as a little Stone family of 5. And while the kids were all planned (for the most part), I'm not sure we could have really planned anything else. It's turning out completely different from our expectations. And, I must say I'm quite pleased.

P.S. I love my wife. Our marriage is something else that is about to reach a decade in age. Check us out. No, seriously, check us out:




Monday, October 26, 2009

Muzzle of Bees contributor!

So for the none of you who read this blog that I don't talk to on a regular basis (and regarding my last post), I have recently been given a gig writing for the cool, regional music blog Muzzle Of Bees. Since most of my posts here were music related, I will likely not be posting new content here as much anymore--though I will post copies of the stuff that I write up for the blog.

I'm excited about this--it doesn't really pay anything, but I do get free access to shows down here that I want to review.

You can read my two prior contributions here:

top ten moments at the Chicago Wilco Show


Blitzen Trapper Review

American Music in British Voices: Rethinking the Beatles as the World's First International Cover Band

Paul McCartney often tells this great story about the first time that he and John Lennon met. Apparently, Paul had gone to see John’s band play and afterward they met up and Paul impressed John not only by his ability to play Eddie Cochran’s "Twenty Flight Rock" left-handed on a right-handed guitar, but also because he knew every word. Here it is in his own words from the recent PBS special "Great Performances: Chaos and Creation at Abbey Road" (which you should take some time and watch--it's phenomenal):



I love thinking about this historical moment. Paul sees the leader of the band he wants to be a part of and takes a chance. John's a little drunk, but is floored by Paul's natural talent. Bang: the genesis of a friendship that would change the world. Then there's also the fact that the moment centers around a great song—a song written in the newly christened, genre-melding style called rock & roll.

I’ve always been a late-period Beatles fan. When I was 14 my friends and I would listen to the White Album and bask in its multi-genre genius. We learned White Album and Sgt. Pepper tunes on the guitar and would play them at parties to audiences who’d have rather heard Depeche Mode or The Cure (so we'd play those too). It was the late albums (really, everything Rubber Soul and onward) that I have gone back to again and again over the years. I don't think I'm alone.

So despite my near, life-long fandom, it wasn’t until I got the remastered CDs last month that I had even heard some of songs off the early records. What I found, of course, were the hits that launched The Bealtes into fame, but also--rather unexpectedly--I found covers versions of now-classic, then relatively contemporary American rock songs. In fact, on the first three Beatles records there are a total of 18 songs (out of 42) by other artists.

It occurred to me that it might be fun to look into those first few records and look up the songs the Beatles covered and compare versions to get a feeling for the kind of stuff they were listening in those early Beatles and pre-Bealtes days. It shouldn't be surprising to hear that the original versions* are, dare I say, far more rich than the Beatles appropriations. I imagine that to Paul & John those songs sounded like the Beatles would eventually sound to us.

Here are a few of my (more well-known) favorites:

Roll Over Beethoven

The Beatles (go George!):



Chuck Berry:



Money (That's What I Want)

The Beatles:



(I love the Paul/John behavioral dichotomy going on in this live
clip--so classic.)

Barrett Strong:



Please Mr. Postman

The Beatles



The Marvelettes



Long Tall Sally

The Beatles


Little Richard



The elephant in the room here is that all of the appropriated songs I have chosen to present are by African American artists. I love that the Beatles covered these tunes, but it seem strange to me--tragic even--that it took the distinctly foreign (and distinctly white) voices of the Beatles before the American public at-large could begin to appreciate these songs. There is a whole other essay/post here, but this topic might make for a nice jumping-off point should you care to comment.

*Figuring out what the "original version" of any of these songs can be daunting as they were often written by professional song writers and then recorded by a variety of artists.

Tuesday, October 06, 2009

Thanks Mom.

Because of you, I LOVE this song by Christopher Cross (and love, even more, that Michael McDonald shows up).



You know you do too. I've gotta get this on LP--and soon.

Monday, September 28, 2009

Sufjan in Champaign

Sufjan Stevens @ the Highdive from Justine B. on Vimeo.


It was for freedom from myself and from the land...

Saturday, September 26, 2009

New semester, new anxieties

Ah, Starmaster and your guide. How I neglect thee.

It's been a busy month since I started back up with school. Too much of that is too boring to mention here other than to say, I'm back--pendulum-wise--to feeling overwhelmed again. Starting my third year, it seems as though I should know more, be more engaged, doing more scholarly things: but I usually feel just as green as ever.

I'm making steps, however, to fight to become more mature in the field. I've started a new blog called Sonic Rhetorics. It will be an semi-academic space set up to get me thinking more seriously about my interests in the field. I've already done what I can to make it public with academics who have similar interests as me (via twitter)--and doing so requires that the writing and ideas expressed there need to adhere to a certain level of quality. It's a risky move, though. Putting myself out there outside of the carefully structured and gate-kept avenues of the "typical" academic avenues of conference talks and published journal articles can, in some respects, be akin to letting the whole professional community look have a look in your messy room. So, it takes me like three days to compose a blog-post (not the best use of my time, considering everything else required I should be doing).

But, I think it's a good exercise. My current plan is to go less public (no more public announcements via twitter #), but to still try to write like I AM being watched carefully. Also, it might be a good idea to start thinking about which conferences I'd like to submit to this year and also which journals and presses I should start reading more intently.

In other news, it's been an amazing end-of-the-summer/beginning of Fall music season. Still on the bill: Tonight I get to see Sufjan Stevens after emailing the venue every week since the tickets sold out in 5 minutes the night I was in Logan at our Family Reunion. In October: Avett Brothers, Blitzen Trapper, and WILCO!

Tuesday, August 25, 2009

when a favorite band covers your other favorite bands

School's back on--I'm taking Greek. Yes, Greek. It's intense.

In other news, the Punch Brothers are still amazing.

I just found this video of them playing Radiohead's "Packt Like Sardines in a Crushed Tin Box"--it blows me away how they recreate the very digital/electronic noise of Radiohead's awesome song WITH ACOUSTIC INSTRUMENTS.

So cool.



But that's not all--this morning I heard them play another cover of the Wilco song "Poor Places"

This one has kind of shoddy audio--there is an unseen noise off camera, but it still shows the versatility of this amazing group of musicians.




If you'd like some points of reference, here's Wilco doing their song and here's a truly amazing fan-made video of Radiohead's:

Friday, July 17, 2009

Thursday, July 02, 2009

if you like a great vocalist with your bluegrass...

please, please check out Sarah Jarosz...she plays guitar, mandolin (including the baritone she's playing in this clip) and banjo.



Oh, and she's only 18.

Wednesday, June 24, 2009

Vimeo to YouTube for the fam

I've heard some reports of Vimeo being slow and yuck for some folks on some older machines (read "my family on their G4 "lamp" iMacs).

For their viewing pleasure, ma, pa, michelle (any other anti-Vimeo peeps out there):

come on over to Only Anything YouTube land Make sure to watch all four videos.

Tuesday, June 23, 2009

Sunday, June 21, 2009

2009 = biggest live music year of my life

Newport Folk in August (in Rhode Island!): Pete Seeger, The Decemberists, Fleet Foxes, Gillian Welch, Avett Brothers, Billy Bragg, Mavis Staples, Tom Morello, Ramblin Jack Elliott, Ben Kweller, the Low Anthem, Brett Dennen, Tift Merritt, Tao Rodriguez Seeger, Langhorne Slim

Ellnora Guitar Festival (Formerly "Wall-to-Wall") in September:

Free(!) performances
Jerry Douglas um, yeah, free.
Dan Zanes (this is the wacky Disney channel guy. We'll likely pull Seth out of school to see him)
Brazil Guitar Duo
Alex de Grassi
Natalia Zuckerman (a great slide player)
Erin Mckeown
Jake Hertzog (jazz guitarist)
Richard Julian (this dude sits at the corner of about 4 genres)
Jim Campilongo (two words: TeleCaster. :) this guy deserves two links<--this one is a fender commercial, but it's the best 8 minute amp commercial I've ever watched.)

I'll likely be going to a few of the other less-free shows too:

Bill Frisell (playing here with Jerry D himself)
Keb' Mo' (blues!)
The National (baritones away)

And if that weren't enough

Pygmalion Music Festival is one short week after Ellnora. I'll spare you the billion links. But it will be a third Iron & Wine show in 6 months for me, as well as a chance to see my favorite and much blogged about My Brightest Diamond. Joe Pug is also a rising interest.

I'm having a spoiled music year. Let's just pretend it's my thirtieth birthday year and not my 31st, then it might seem more deserved. :) Happy listening!

Tuesday, June 16, 2009

Wabash Cannonball

So, I've got a little video blogging going on over at www.onlyanything.com If you've been there in the last few hours you'll have seen my attempts at playing a few tunes on the Dobro--one of which is this song called "Salty Dog" and the other is called "Wabash Cannonball".

Both tune names crack me the heck up--I'm having a really good time discovering this whole genre of music that I never have paid much attention to in the past.

Anyway, the thing that attracts me to this kind of music is the playing--straight up. These dudes can swing. For example, I did a quick YouTube search for the song "Wabash Cannonball" and found this gem:



I'd never heard of Jerry Reed before now, but am totally and immediately a fan. I think you are too. I wish he could have finished Charles's "Hallelujah"! Once again, thank you, YouTube.

And, just in case there's any question:

Wednesday, May 20, 2009

I love a good cover

Here's an old tune called "Love Vigilantes" by an old favorite band of mine, New Order:



Here's that same tune covered by Sam Beam of Iron & Wine. He played this last week at the solo show I saw with some friends up in Chicago. It was a great night, and this was one of the best songs of the set.

(update: apparently, they just played the tune on Fallon's late night show--I'll put it up here too)



Tuesday, May 19, 2009

Vintage Vinyl

I got a turntable for my birthday and have slowly been building up a small record collection.

Last Saturday, our local public radio station had a pledge drive where local listeners could donate their old records, cds, movies and electronic equipment. Then, folks like me could come and buy it up at $1-$2 a pop. I spent about $35. Here's what I got:

Soundtracks:
Fiddler on the Roof Original Motion Picture Soundtrack
Mary Poppins Original Cast Soundtrack
Boris Karloff reads Peter and the Wolf

Old-time Country:
Country's Greatest Hits
60 Years of Country Music

(Believe it or not, these are two I am most interested in and most excited about--We're not talking contemporary, corporate Country here, folks. We're talking roots music and I'm eating it up. I'm really excited about exploring roots stuff and part of that search starts here, I figure. It goes back to the early early stuff: Jimmie Rodgers, Carter Family, Bill Monroe and his Blue Grass Boys, woo!)

60s & 70s
The Best of Buffy Sainte Marie (this is a wild card, actually--I've never heard of her, but she had a resonator guitar on the cover of the album and I thought, "eh--it's only a buck!"
Crosby, Stills, Nash & Young: 4 Way Street
John Denver- Back Home Again (with Grandma's Feather Bed!)
History of Eric Clapton
Beach Boys- Endless Summer (this is the only one I kind of regret--I should have got a real Beach Boys album, but I don't think they had any)

Hits collections from:
Gladys Knight & the Pips
Ray Charles
The Temptations

Elton John- Captain Fantastic and the Brown Dirt Cowboy (this record has my favorite EJ song on it, "Someone Saved My Life Tonight" and really rad packaging. I have seen it in record stores for $15, I got it for $1)

James Taylor:
Flag
Sweet Baby James
In the Pocket
(I have 5 JT records now)

Stevie Wonder: Journey Through the Secret Life of Plants (this one I'd never heard of, and was unopened. It's a soundtrack, I guess.)

80s!
Micheal Jackson- Thriller (Seth really loves the tune "Beat It"--he's gonna love Thriller)
Genesis- Invisible Touch (Probably the first record I ever listened to in it's entirety, 7 years old at Justin's house)
Tracy Chapman- Eponymous ('cause she's awesome)

Pretty eclectic little collection, eh? I'm having fun and all of this great music cost about the equivalent of two or three new CDs.

I also bought a pair of speakers for $5. Trying to think of a rig where i can set them up in the kitchen or basement and run them off my receiver's B channel.

Fun stuff.

Monday, May 18, 2009

Final for Writing For the Web: Sonic Rhetorics

I haven't posted anything for quite some time--

However, today I turned in my final project of the semester and will let a little vacation seep in until I begin teaching again early next month.

Here is a link to my final site created for my Writing for the Web course. I'm very excited about it, even if it is not quite completely functional. It will eventually work like a blog where I can post stuff (or links to stuff, rather) that I think functions as what I am calling Sonic Rhetorics--basically, the ways in which sound as music, rhythm, vocalization, noise, etc. operates as influencing discourse. So, if all goes as planned (and with a little help from my friends), this little beta-version of the site will soon be a full-fledged academic blog.

I'm hoping that it will help me start to find a focus for my future work on a dissertation (which I am thinking more and more will explore music/sound as rhetoric) and also, perhaps, put me on the map as someone who does that kind of work.

I'll let you know when the site is ready to function as a blog and you can get it syndicated with an RSS feed. I am playing with the idea of starting a sonicrhetorics twitter account from which I will also send out micro blogs on the subjects I highlight on the main site.

It's really fun and satisfying to find an academic focal point. Here's to hoping this one sticks!

Monday, April 13, 2009

A few videos from a recent class project

Here's the actual project:

~Your Desktop is a Playground~ from starmaster on Vimeo.

Here's the dance track! (it might be better)

Dance Track from starmaster on Vimeo.

Friday, March 20, 2009

The new face of Starmaster's Guide

Well, it's not that radical, but I did change the banner and some of the other settings. If you get this blog as a part of your RSS feed, click over to the main event to check it out. I'm still working on it a bit but I like the new banner pic. Those people in line? They are you! In the future, I look forward to a complete redesign using some of the new web authoring skills I've been learning this semester.

San Francisco in 1500 words or less

I write this near the end of my second full day in San Francisco (though I am posting it over a week later). I am presenting a paper on Saturday at the annual Conference for Communication and Composition … (CCCC). What a great city to have a conference.

I am staying at a surprisingly nice (and clean!) hostel (my first patronage of this type of lodging) at the tip of the Tenderloin district (not quite in the scary part). The conference is taking place at the Hilton, a mere five minute walk away.

I’ve had a full couple of days, and I thought I would write quickly and recount my experiences thus far.

The first night we arrived, a friend and fellow presenter and I took the BART down to my favorite place in the whole city to eat: Taquerias El Farolito. Best burritos ever (eat your heart out Chipotle). That first night we walked the eight blocks (longer than it sounds, but not too long) from 16th to 24th. The meal was fantastic—I laughed as my usually vegan friend consumed a whole plate of Carne Asada. We walked off our dinner—back down to the 16th BART station and I collapsed, exhausted at 11pm local time (1am to me!) on the top bunk of the room I share with my three globally diverse roommates.

On Wednesday, I arrived at the conference and got my registration taken care of. The day was reserved for paid workshops and since I didn’t pay for any of them (my registration cost $40 and most of the 3 hour workshops were $20. Psh!), I set out for a day in the city.

I took the Market Street MUNI bus down into the Haight and walked down the near empty streets toward Golden Gate park and the UCSF medical school—one of my main old stomping grounds. All of the shops on Haight were closed, which was fine with me. I hiked up the hill to the med school and took some pictures of the panoramic view of the city from the large outlook patio (one of my favorite places ever!).

I really wanted to do some things that I had never done before—so I hopped a few busses and found myself at the southern end of the Golden Gate Bridge. I wanted to walk on the bridge and look over the edge. I’ve driven over it numerous times, but could never really enjoy it as a structure—read its historical plaques and actually lay my hands on the cold, red steel. And in the truest sense of the word, it was awesome. I walked about a third of the way out to the first main pillar where there is a lookout. I couldn’t have asked for a more beautiful day in the city. In fact, I can’t remember a more beautiful day. It was warm, but not hot. The breeze was constant, but soft. And the view . . . ! Not only was there a perfect view of the City and Alcatraz and Angel islands, but down in the water, at the base of the bridge, seals and dolphins were surfacing and submerging—there must have been at least 10 of each. It was so cool.

From there, I took a short bus ride down to the famous Baker Beach—another place that I can’t believe I’ve never been. I sat on the beach against a log, took off my shoes (and by this time, I’d walked quite a ways and my feet beginning to ache), and watched and, maybe more significantly, I listened. We don’t hear the sound of waves breaking that often in CU, and to me, it was music. I walked along the waterline and often couldn’t get out of the way in time and found myself wet up to the knees in Pacific Ocean. I collected small stones—pebbles really—that had been rubbed smooth and shiny by the constant lapping against the sand. I’ll give them to my little Stones when I get home. It was, by far, my favorite hour spent since arriving. It’s going to be tough to beat, and I might well return before I leave.

From there, I went back into the Haight and spent some time in Amoeba records (which, after the GG and Baker Beach—and my hungry stomach!—wasn’t as exciting as I had anticipated). I bought a few lps and dvds and set out again to find lunch which I found at a small sit-down Thai restaurant where I got my standard Pad Thai. It was great—maybe the best Pad Thai I’ve ever had.

By then, I was exhausted, and my backpack was so full, and my back so achy that I knew it was time to head back to the hostel. Which I did—right after I bought a cool tie at the famous Aardvark thrift store at Haight and Ashbury.

After a few hours of recovery, my good friend Mike Harding and his wife drove up from Palo Alto and took me out to what has got to be the best Chinese restaurant in Chinatown: House of Nanking . Mike speaks Mandarin and ordered requesting the chef’s choice of a shrimp, chicken, and beef dish. Needless to say the food and company were both excellent. Right up from the restaurant is the famous corner near Kearney and Broadway—North Beach—where the famous City Lights Bookstore where Allen Ginsberg, Jack Kerouac and friends (including Bob Dylan) caused all that “beat” trouble in the 60s. After saying goodbye to Mike, I walked back up to the bookstore and poked around. I remember writing a paper my Junior year in high school about the beat poets and the hippie culture that followed. It was weird to be there, mostly because it has lost all of that real social relevance and become, quite frankly, just another tourist attraction (with, I’ll allow, a really cool “poetry reading room” full of great poetry books).

So, day two was completely full. Most of what I did that day was new stuff that I had never done during my time in San Francisco, which was exactly as planned. It was a day that I will not soon forget and one that I will try to repeat—likely without complete success—in subsequent visits.

I have a ton of pictures from the trip posted here.

As well as a bunch of pictures I took from my cell phone, which I collect here.

Oh, and I was going to write another post talking about the rest of the trip... but Wednesday was really the main day of excitement. The rest of the week, I attended the conference, presented my paper, had some good meals and on Saturday enjoyed a more typical (cold and hazy) day taking the bus and wandering around the city--saying goodbye, if you will. The pictures tell the story, check 'em out!

Wednesday, March 18, 2009

Home from SF--Blackbird

I've been home since Sunday, and have several posts with pictures coming up...

But I saw this tonight and couldn't help but share:

Friday, March 06, 2009

on my way

Getting ready to head out on Tuesday to San Francisco for my first major academic conference. It should be a really great experience and that it is in San Francisco is even more exciting.

I haven't had a lot of time to blog lately, but I have been doing plenty of micro-blogging. If you haven't already, you're welcome to follow the rss feed from my twitter account. I post several times a day--often with links to pictures--and probably more often while I am in my favorite of cities.

Here is the link to my profile on Twitter (In case you haven't noticed, Twitter is currently exploding. It might be time for you to start your own!).

Or, you can follow my tweet-stream via rss.

Sunday, February 01, 2009

Tweedy at Foellinger

Some friends and I went to see Jeff Tweedy last night at our campus's beautiful Foellinger auditorium. He was nothing short of Amazing. I've never seen anyone handle a crowd with such finesse and humor. I guess it is tradition for fans to yell out requests and the banter that starts up could be really uncomfortable and distracting--but Tweedy handles it masterfully by both making fun of his requesters and actually playing many of the requests that are given.

I knew around 60% of the songs he did--the other material either being new or really old (from the legendary Uncle Tupelo days). The Wilco songs he played were perfect deconstructions and I don't know what it is about Radiohead covers, but they make for amazing show closers. Tweedy played their Fake Plastic Trees in his first encore.



It was SUCH a good show. Just what I needed after a miserable, no-sleep, night snow camping with the scouts.

On a semi-related note, I'm seriously considering doing this during the month of February. I'll keep you updated.

Here's one more song (Spiders [Kidsmoke])from last night's show. It actually occurs before Fake Plastic Trees was played and gives you an idea of his interaction with the crowd (we were so in the palm of his hand) as well as shows the moment when FPT was requested.

\

Oh, I can't resist. Here's one more. Did I mention Tweedy can play that guitar?

Wednesday, January 28, 2009

Monday, January 19, 2009

what got used, 2008

I have been meaning to write a follow up to my best music post of a few weeks ago. Basically, I just wanted to mention and link to a few places that have been useful this year.

First, Facebook totally exploded this year. I have had an account for a few years, but this year it seems like EVERYBODY signed up. I've actually really enjoyed "facebooking" as it has helped me get in touch with old friends, reconnect on a more regular basis with other friends, and keep up to date with my facebooking colleagues. As a social networking tool, facebook deserves mega-props for its ability to handle photographs, video, and even (as of about 8 months ago) chat. I think that this year's explosion has secured for Facebook the status of more than just a passing fad.

Twitter is like a super boiled down version of Facebook--but I use it too (and actually integrate it with my Facebook. Twitter lets me update my facebook status via text message--I can't afford web connectivity on my cell phone yet). More and more people are "twittering"--it provides a fun way to read and broadcast short pieces of information. I get feeds from CNN, our local newspaper, a few bands, Amazon's daily mp3 deal--even George Lucas twitters. Only two of my friends "tweet" regularly--thanks for keeping it real Mat and Aaron.

"I wish the internet could..." is a common phrase knocking around in my head. Ususally, I don't have to wait too long before my wish is its command. For example, I was really wanting to do some photoblogging directly from my camera phone. In other words, I wanted to be able to take a photo with my phone, text it to myself and have it automatically update to a blog. I found such a service in Twitpic. I started doing it here on our trip, but moved it permanently to this address. If you use a rss reader, you can subscribe to the feed by clicking the orange button in the right-hand corner of the page.

Thursday, January 15, 2009

WALL-E credits

We really like Pixar's WALL-E around here.  The credits are one of my favorite parts. Love the Peter Gabriel, love the animation (especially when contrasted with the wonderful Pixar animation), love the message of hope "take a sad song and make it better." 

Viva la Vida, Seth!

Whatever your opinions of Coldplay, last year's Viva La Vida was big hit in our house.  Seth has always been a big Coldplay fan.  He loved X&Y--especially "Fix You". I can still remember his sweet, two-year-old voice singing that song.  Here he is doing his favorite on the new album (the title track).  This was recorded over Thanksgiving when we had all of our gear out.  He's quite the little performer, wouldn't you agree?


Seth singing Viva La Vida from starmaster on Vimeo.

Tuesday, January 13, 2009

cool apps

I've run into a storage problem on my MacBook. I need to get a larger hard drive, but there is this little thing called money that I don't have a lot of. So, I have been doing what I usually do--looking for ways to do what I want without spending more money. One thing that really helped out this morning was this cool, free (open source--Mac only) application called Grand Perspective, which, basically scans your hard drive and tells you what files are using the most space. I like this app especially, though, because it gives you a clickable visual representation of that space. I was able to move 50 gigabytes--nearly a fourth of my hard drives total capacity(!)--to an external drive and thereby free up much needed space for other pressing projects.

Awesome!

Thursday, January 08, 2009

Guide to 2008 (music)

Welcome to the third annual end-of-the-year guide to my favorite things of the year. Last year, I think I stuck to music only. This year, I will do the same and will write another post to mention a few other things that have been of influence this year. Stay tuned for that.

It really has been a big year, media-wise. After consulting my trusty iTunes play counter, it would appear that my two most listened-to bands of the year were Bon Iver and the Fleet Foxes. Big surprise there. I've posted several times about both groups--but for fun, here are two more videos for your listening enjoyment.

This performance of "re: Stacks" (my favorite song on the album) is actually from their show that I saw here in Champaign. So sweet. I just love the quite honesty of Justin Vernon's tunes. He's an inspiration.

(The song actually starts 2 minutes in on this clip if you want to skip ahead)



The Fleet Foxes have a similar vibe. I love their harmonies, percussion, and that sweet mandolin lead. Here's a link to my favorite tune "Blue Ridge Mountains" since this video won't let me embed.

The Punch Brothers, or more specifically Chris Thile--formerly of Nickel Creek and currently of the Punch Brothers--would get the third slot. My interest in bluegrass is currently in blossom mode. I recently purchased some hardware to mod my guitar into a dobro and with artists like Jerry Douglas and Chris Thile to emulate, I'm on my way!

Thile is a master musician--a respected expert on the mandolin (the guy was recording with legends before he was 20)--and a really great singer/songwriter to boot. This hasn't just been a year of solo-Thile for me, but rather one where I consumed the whole Nickel Creek catalog as well.

Here's a great quiet tune from the first Punch Brothers album (some of you may recognize the program Woodsongs that it is taken from. Our local PBS station carries it):



And if you can stand it, here's them doing an 8 minute cover of Radiohead's "Morning Bell"--the song they also ended with at the show I saw in Champaign:



So rad! That clip really shows off the band in true, pass-the-solo, bluegrass style. It will also give you a really great look at Thile's virtuosity.

It's also been a year of much Wilco, Radiohead, and other newer voices like Ray LaMontagne:



Radiohead - Weird Fishes - by Tobias Stretch




I should also mention that old favorites, Weezer and the Cure also came out with new albums this year. I was largely underwhelmed by both, though. Especially the Cure album. Both albums had some stand-outs for me though.

Underneath the Stars by the Cure might be their best song (even if not on the best album) in 10 years:



And I really love this tune, Troublemaker, from the new Weezer album. Actually, I would have to say that the "Red" album is probably the best release from my old favorite band since Pinkerton. But it just doesn't hold up against the other groups in terms of times listened last year.

Finally, a very honorable mention goes to Mates of State. They are the band that I got to meet at Lollapalooza in August and they're really great. Here's the wacky video for my favorite song on their new album Re-Arrange Us. It's called "Get Better"



Have fun jamming (and if you only chose one video to watch here, you really should check out that Morning Bell cover!).